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Also Pialat’s À Nos Amours, and Téchiné’s Wild Reeds.

The films that sprang to mind: Jean Renoir’s A Day in the Country, Bertolucci’s La Luna, Rohmer’s 80s films like The Green Ray and Pauline à la Plage (Call Me is set in 1982).For those who fall for it, Call Me by Your Name makes them fall hard.So much so that when their friends share those feelings, their reactions make it feel like the novel is somehow being adulterous.Ivory finally suggested Guadagnino join him as a co-director.“But nobody believed in this concept,” Guadagnino sighs. But nobody believed two filmmakers could make a movie together—unless they were brothers, or a pair to begin with.” Guadagnino could be fast and nimble in a way Ivory wasn’t practiced in.

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